"Fiction" by The xx has been stuck in my head for the last several days.
The video reminds me of ones made in the 1980's by bands like Orchestral Manoeuvers in the Dark.
Monday, October 21, 2013
Sunday, September 29, 2013
VERONICA MARS' Kristen Bell and Me
If you're a regular reader of this blog, then you know I'm a screenwriter who loves to write stories with strong, smart female leads, and that I'm obsessed with films and television shows featuring such great characters.
So, it's no surprise I nearly fell out of my chair yesterday when Veronica Mars' Kristen Bell tweeted me.
I had just tweeted a photograph of me sporting a t-shirt sent to me for supporting Invisible Children - which I hope you will check out if you don't already know about this important non-profit.
So, it's no surprise I nearly fell out of my chair yesterday when Veronica Mars' Kristen Bell tweeted me.
I had just tweeted a photograph of me sporting a t-shirt sent to me for supporting Invisible Children - which I hope you will check out if you don't already know about this important non-profit.
Friday, September 27, 2013
Conquering Hollywood: The Screenwriter's Blueprint for Career Success by Gary W. Goldstein
I've been screenwriting for more than ten years, during which time I've certainly come across a plethora of websites, books and seminars claiming they can teach me "the craft" and "how to hone my talent."
So, I took notice when Gary W. Goldstein tweeted me earlier this year that he was launching a Kickstarter campaign to write a very different sort of book for screenwriters.
I donated to the campaign.
When I finished the book, I had no doubt I'd invested in my future.
Conquering Hollywood is a practical guide for new and established screenwriters who want to take control of their careers and, ultimately, become financially successful as writers. It is written by a professional who certainly knows the business. Goldstein's book makes it clear there is no secret handshake or magic trick to success in Hollywood. The table of contents in both book versions makes it easy to jump to the step-by-step directions to succeed in the daily business of being a screenwriter.
After having read the book, I enjoy listening to the audio book, while blogging or tweeting about my writing projects. Goldstein talking in my ear reminds me which steps I've already taken toward controlling my career and which ones still require my attention.
There are lots of excellent books that teach screenwriting. I tell fellow writers to stick with the ones that resonate with them.
But every writer who wants his writing to go from a hobby to a professional career needs to read and put into practice the advice given by Goldstein in his book Conquering Hollywood: The Screenwriter's Blueprint for Career Success.
So, I took notice when Gary W. Goldstein tweeted me earlier this year that he was launching a Kickstarter campaign to write a very different sort of book for screenwriters.
I donated to the campaign.
When I finished the book, I had no doubt I'd invested in my future.
Goldstein is a Hollywood film producer and manager for screenwriters. Among his films are Pretty Woman, Under Siege and The Mothman Prophecies. His projects have grossed more than a billion dollars worldwide.
His book is called Conquering Hollywood: The Screenwriter's Blueprint for Career Success and is available as an e-book, paperback and audio book at Amazon.
Conquering Hollywood is a practical guide for new and established screenwriters who want to take control of their careers and, ultimately, become financially successful as writers. It is written by a professional who certainly knows the business. Goldstein's book makes it clear there is no secret handshake or magic trick to success in Hollywood. The table of contents in both book versions makes it easy to jump to the step-by-step directions to succeed in the daily business of being a screenwriter.
After having read the book, I enjoy listening to the audio book, while blogging or tweeting about my writing projects. Goldstein talking in my ear reminds me which steps I've already taken toward controlling my career and which ones still require my attention.
There are lots of excellent books that teach screenwriting. I tell fellow writers to stick with the ones that resonate with them.
But every writer who wants his writing to go from a hobby to a professional career needs to read and put into practice the advice given by Goldstein in his book Conquering Hollywood: The Screenwriter's Blueprint for Career Success.
Friday, September 6, 2013
"Stay" by Steve Grand
Steve Grand premiered his new single and music video, "Stay," an hour or so ago.
I have been playing the video over and over ever since.
You can purchase both versions of the single at iTunes.
I have been playing the video over and over ever since.
You can purchase both versions of the single at iTunes.
Sunday, September 1, 2013
The Canyons
Producer Braxton Pope (The Source Family) and director Paul Schrader (American Gigolo, Raging Bull) wisely selected Lindsay Lohan and porn-star James Deen to play the leads in The Canyons, written by Bret Easton Ellis (Less Than Zero, American Psycho).
Months before the film simultaneously debuted in theaters and on video on demand (VOD), the media was tripping over itself to report the supposed on-set conflict between its stars, to lament with Schadenfreude-like passion Lohan's long, often court-ordered road to sobriety, and to discourse with titillated unease Deen's prolific work in the adult entertainment industry.
Of course, all of this was excellent publicity for the film, which has nothing to do with the actors' private lives or the commercial porn industry.
The Canyons is about what happens to people when they hand over control of their lives to others. The opening montage of abandoned movie houses underscores this theme: the more frequently studios make bad movies, the less revenue movie houses make, with artistic and financial bankruptcy the inevitable outcome.
My favorite moment in the film occurs in the first scene, when all but the single character who has yet to hand over the reigns of her life to another person act like caged animals arranged around a restaurant table. I was astonished when even the camera swooped away to race over the restaurant's bar, desperate for the waitress to return with the check and set the captives free, if only momentarily.
The Canyons is written by Ellis, so you know things do not end well. Most of the characters are entangled in Deen's character's machinations. It is foreboding that, in a city with a population of 3.8 million, he lives in isolation in a modern marvel of a house shipwrecked against a Malibu canyon wall.
I watched The Canyons twice on VOD its opening weekend. The helplessness, frustration and rage of its characters have stayed with me. Lohan's performance once more leaves no doubt she is the greatest actress of her generation. Deen displays real acting chops as a spoiled control freak writhing under the thumb of his father. Cinematographer John DeFazi brings to life this dystopic world.
Schrader and Ellis' collaboration left me wondering what happens next to the characters populating The Canyons: one apparently gets away with a senseless act of violence; while another, who had hitherto allowed others to control him, now adroitly manipulates another, but to what purpose?
Fans of Ellis' work know his stories link together in unexpected ways. I look forward to the next installment.
You can purchase The Canyons at iTunes.
Months before the film simultaneously debuted in theaters and on video on demand (VOD), the media was tripping over itself to report the supposed on-set conflict between its stars, to lament with Schadenfreude-like passion Lohan's long, often court-ordered road to sobriety, and to discourse with titillated unease Deen's prolific work in the adult entertainment industry.
Of course, all of this was excellent publicity for the film, which has nothing to do with the actors' private lives or the commercial porn industry.
The Canyons is about what happens to people when they hand over control of their lives to others. The opening montage of abandoned movie houses underscores this theme: the more frequently studios make bad movies, the less revenue movie houses make, with artistic and financial bankruptcy the inevitable outcome.
My favorite moment in the film occurs in the first scene, when all but the single character who has yet to hand over the reigns of her life to another person act like caged animals arranged around a restaurant table. I was astonished when even the camera swooped away to race over the restaurant's bar, desperate for the waitress to return with the check and set the captives free, if only momentarily.
The Canyons is written by Ellis, so you know things do not end well. Most of the characters are entangled in Deen's character's machinations. It is foreboding that, in a city with a population of 3.8 million, he lives in isolation in a modern marvel of a house shipwrecked against a Malibu canyon wall.
I watched The Canyons twice on VOD its opening weekend. The helplessness, frustration and rage of its characters have stayed with me. Lohan's performance once more leaves no doubt she is the greatest actress of her generation. Deen displays real acting chops as a spoiled control freak writhing under the thumb of his father. Cinematographer John DeFazi brings to life this dystopic world.
Schrader and Ellis' collaboration left me wondering what happens next to the characters populating The Canyons: one apparently gets away with a senseless act of violence; while another, who had hitherto allowed others to control him, now adroitly manipulates another, but to what purpose?
Fans of Ellis' work know his stories link together in unexpected ways. I look forward to the next installment.
You can purchase The Canyons at iTunes.
Thursday, August 29, 2013
Mark Tyler
Monday, August 26, 2013
Robbie Rogers and the Quarry
I am petrified of heights, but more than suspect openly gay soccer player Robbie Rogers could talk me into cliff jumping.
Tuesday, August 13, 2013
Abby Linford and Her Imaginary Friend
Around the time I accidentally interviewed Matt Damon for ACCESS HOLLYWOOD, I met online Christopher J. Smith, who was also hanging out in the forums at Project Greenlight's website. We soon started emailing each other about screenwriting and his work at a talent management company.
Nearly a decade later, I happened on a tweet in which someone recommended a book to read this summer. I clicked on the photo included with the tweet and saw the cover of Christopher's book, Abby Linford and Her Imaginary Friend.
That's how I reconnected with Christopher and now have his book to read on foggy, cool days this summer in San Francisco.
So far, the story is a treat, though I suspect Abby is about to discover all is not well in her imaginary friend's world.
Nearly a decade later, I happened on a tweet in which someone recommended a book to read this summer. I clicked on the photo included with the tweet and saw the cover of Christopher's book, Abby Linford and Her Imaginary Friend.
That's how I reconnected with Christopher and now have his book to read on foggy, cool days this summer in San Francisco.
So far, the story is a treat, though I suspect Abby is about to discover all is not well in her imaginary friend's world.
Monday, August 5, 2013
"Young Love" by Eli Lieb
The other day, I stumbled upon Eli Lieb's YouTube channel and am now obsessed with his new single, "Young Love." I watch this video on Apple TV almost as much as I play the song.
Of course, I've already purchased the single at iTunes. I look forward to hearing more from this emerging artist, about whom you can read when you visit his website.
Of course, I've already purchased the single at iTunes. I look forward to hearing more from this emerging artist, about whom you can read when you visit his website.
Saturday, August 3, 2013
Carly Rae Jepsen on the Cover of Volume 12 of 360 Magazine
Here's a sneak peek at our Summer, Volume 12 issue featuring Carly Rae Jespen.
I'm so happy she's a part of our magazine. If you're already a huge fan, you know all about her website, where you can read about her music career and check out tour dates, photographs and videos, especially "Call Me Maybe," which she co-wrote and, as she says on her site, "never expected to take off quite like this."
I'm so happy she's a part of our magazine. If you're already a huge fan, you know all about her website, where you can read about her music career and check out tour dates, photographs and videos, especially "Call Me Maybe," which she co-wrote and, as she says on her site, "never expected to take off quite like this."
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