Last month, Antonio Toro and I teamed up to rewrite my Twilight Zone script Go Back into a feature-length supernatural thriller. (When you jump to this post on the blog, you can read about the original tv version.)
Antonio is a WGA screenwriter and professional animator. You can see samples of his animation on his site - The shark suit tester is my favorite. He looks deliriously happy with his job.
I very much like writing with a partner. The two of us can determine more quickly and efficiently what works and what doesn't. And, of course, we bring our own unique perspectives and ideas to the project. A consummate cinephile, Antonio says he's never seen on film what happens in Go Back (one reason this project hooked him). I am amazed at the twists and turns he's already brought to the story.
I took this photograph at our weekly meeting at Borderlands Cafe on Valencia, where we're hammering out the outline of the new version.
Stay tuned for more updates.
Showing posts with label GO BACK. Show all posts
Showing posts with label GO BACK. Show all posts
Monday, March 11, 2013
Wednesday, October 26, 2011
GO BACK
After months of rewrites, a great script read with friends, family, actors and film industry pros, and a final round of rewrites after receiving notes from lots and lots of people, I recently completed co-writing a feature-length, sci-fi/family adventure script, whose journey around Hollywood I'll describe in a future post.
I'm excited to return my attention to an unproduced Twilight Zone spec script I wrote a few years back. Its title is Go Back. I wrote it to demonstrate I could follow hour-long television formating. Now, I'm going to rewrite it as a feature-length supernatural thriller.
The television script never sold but did serve as an excellent calling card, getting the attention of producer Justin Wicker while he was working at SONY Television under president Steve Mosko. Justin and I co-wrote the pilot and bible to a children's half-hour animation series, which hasn't sold...yet.
I like to write a script while listening to one song on repeat. The song typically finds me while I'm hashing out the outline of the script.
I wrote the Twilight Zone version of Go Back while listening to Beck's "Deadweight."
I'm writing the feature-length version to Len's "Steal My Sunshine."
Two very different songs, I know, but both fit the story.
Stay tuned for news on the script's progress.
I'm excited to return my attention to an unproduced Twilight Zone spec script I wrote a few years back. Its title is Go Back. I wrote it to demonstrate I could follow hour-long television formating. Now, I'm going to rewrite it as a feature-length supernatural thriller.
The television script never sold but did serve as an excellent calling card, getting the attention of producer Justin Wicker while he was working at SONY Television under president Steve Mosko. Justin and I co-wrote the pilot and bible to a children's half-hour animation series, which hasn't sold...yet.
I like to write a script while listening to one song on repeat. The song typically finds me while I'm hashing out the outline of the script.
I wrote the Twilight Zone version of Go Back while listening to Beck's "Deadweight."
I'm writing the feature-length version to Len's "Steal My Sunshine."
Two very different songs, I know, but both fit the story.
Stay tuned for news on the script's progress.
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